Bernardo Padron (saxophonist-composer) was born in Caracas, Venezuela. From the age of 5 until the age of 27 he lived in Canada, growing up in Ottawa, and studying in Toronto. He then returned to Venezuela, and lived in Caracas for the following 12 years. Now, since October of 2003, although maintaining an active working base in Caracas, Bernardo has made Toronto, Ontario once again, his home. After graduating from the University of Toronto's Faculty of Music Performance program in 1986, Bernardo played tenor and alto sax in the Toronto Latin musical community, as well as recording with various local jazz projects (Don Valley Parkway, Mosaic) as a sideman. In the spring of 1991, Bernardo travelled to Habana, Cuba to study Cuban percussion and arranging until February of 1992. Upon arriving in Caracas in 1992, he was quickly integrated into the jazz scene, and began playing with Venezuela's top jazz artists (Biela DaCosta, El Gallo Velasquez, Jesús 'Chucho' Sanoja, and Martes 8:30, among others). During this time, Bernardo participated as tenor saxophonist on the following recordings: Biela DaCosta's 'Jazz and Blues' (1994), Andy Duran's 'Timeless' Vol.1 (1996), Ramón Carranza's 'Carranza Jazz' (1996), Martes 8:30's 'Ayer y Hoy' (1998), Gerardo Chacon's 'Espacial' (2000), and Frank Quintero's 'Celebración' (2003). In the commercial-pop genre, Bernardo has toured with Venezuela's internationally aclaimed artists: Kiara, Luz Marina (as musical director) and Frank Quintero....